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home·artworks·A View Of The Hague From The Northwest
A View Of The Hague From The Northwest by Jan van Goyen

plate no. 5539

A View Of The Hague From The Northwest

Jan van Goyen

oilBaroquemarinaskycloudslandscapefigurescityscapewater
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and mixing muted, naturalistic colors. It also provides practice in depicting distant details and creating a sense of depth.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of major elements like the city and figures.

  2. step 02

    Establish the sky with broad strokes, blending different shades of gray and brown to create cloud formations.

  3. step 03

    Block in the distant landscape and cityscape, using lighter and desaturated colors to suggest distance.

  4. step 04

    Add details to the foreground, including the figures, water, and vegetation, using darker and more saturated colors.

  5. step 05

    Refine the details of the figures and the buildings in the cityscape.

  6. step 06

    Create the illusion of water with horizontal brushstrokes and reflections.

  7. step 07

    Add final highlights and shadows to enhance the sense of depth and realism.

  8. step 08

    Glaze with thin layers of color to unify the painting and create a sense of atmosphere.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · Prussian blue · burnt sienna

Achieve the muted tones by mixing complementary colors (e.g., orange and blue) with white. Use raw umber and white for many of the grays. Add a touch of blue to the sky to create atmospheric perspective.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·tonal painting

common pitfalls

  • →Overworking the details in the distant cityscape, which should remain soft and indistinct.
  • →Using colors that are too bright or saturated, which will detract from the overall mood.
  • →Failing to create a strong sense of depth and atmosphere.
  • →Making the brushstrokes too uniform.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·Prussian blue oil paint
  • ·burnt sienna oil paint
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a canvas with a fine weave for smoother blending. Consider using a toned canvas to establish a base color.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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