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home·artworks·A View of Rome with Castel Sant’Angelo, Ponte Sant’Angelo and St Peter’s Basilica in the Background
A View of Rome with Castel Sant’Angelo, Ponte Sant’Angelo and St Peter’s Basilica in the Background by Antonietta Brandeis

plate no. 7672

A View of Rome with Castel Sant’Angelo, Ponte Sant’Angelo and St Peter’s Basilica in the Background

Antonietta Brandeis

oil, boardRealismcityscapecityscaperiverbridgebuildingskyfigures
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering reflections in water. It also provides practice in capturing architectural details with loose brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings, bridge, and river, paying attention to perspective.

  2. step 02

    Block in the sky with light blue and white, blending softly.

  3. step 03

    Establish the basic colors of the buildings and bridge using a mix of browns, grays, and yellows.

  4. step 04

    Paint the water with horizontal strokes, reflecting the colors of the sky and buildings.

  5. step 05

    Add details to the buildings, bridge, and figures, using smaller brushes.

  6. step 06

    Create texture in the foreground with dry brush techniques.

  7. step 07

    Refine the reflections in the water, adding highlights and shadows.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · raw umber · titanium white · cerulean blue

secondary · yellow ochre · burnt sienna · sap green

Mix various shades of brown and gray by combining raw umber, burnt sienna, and titanium white. Use cerulean blue and white for the sky, adding a touch of yellow ochre for warmth. Mix greens from sap green and yellow ochre.

techniques

  • ·dry brush
  • ·scumbling
  • ·atmospheric perspective
  • ·broken color
  • ·rendering reflections

common pitfalls

  • →Overworking details in the background
  • →Creating too much contrast in the sky
  • →Making the reflections too uniform
  • →Not establishing a clear focal point
  • →Incorrect perspective

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cerulean blue oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-grit canvas for better texture. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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