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home·artworks·A View of Nafplion in Greece, with Dutch Indiamen, Galleys and Other Vessels Offshore
A View of Nafplion in Greece, with Dutch Indiamen, Galleys and Other Vessels Offshore by Abraham Storck

plate no. 2141

A View of Nafplion in Greece, with Dutch Indiamen, Galleys and Other Vessels Offshore

Abraham Storck

oilBaroquemarinashipswaterskycloudscityboats
experienced study

Recreating this painting will help students develop skills in atmospheric perspective, rendering complex shapes like ships, and layering techniques to create depth and detail.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and placement of major elements like ships and the city.

  2. step 02

    Establish the sky with broad washes of muted blues, grays, and creams, creating soft cloud formations.

  3. step 03

    Block in the distant landmass and city with light grays and browns, paying attention to atmospheric perspective.

  4. step 04

    Paint the water with varying shades of gray and blue, suggesting subtle ripples and reflections.

  5. step 05

    Begin adding details to the ships, starting with the largest vessels and working towards the smaller ones.

  6. step 06

    Focus on the rigging and sails, using thin lines and subtle shading to create depth.

  7. step 07

    Add small figures and details to the boats and ships to bring the scene to life.

  8. step 08

    Refine the overall painting, adjusting values and adding highlights to create a sense of realism.

color palette

primary · gray · blue · ochre · white

secondary · burnt umber · raw sienna · red

Mix various shades of gray by combining white with small amounts of blue, umber, and ochre. Achieve the warm tones of the ships by mixing ochre, burnt umber, and a touch of red.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·linear perspective
  • ·rendering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a clear sense of depth and perspective.
  • →Using colors that are too saturated, resulting in an unrealistic appearance.
  • →Ignoring the subtle variations in tone and color in the sky and water.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (gray, blue, ochre, white, burnt umber, raw sienna, red)
  • ·round brushes (sizes 0, 2, 4)
  • ·flat brushes (sizes 6, 8)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·palette knife

optional

  • ·retouch varnish
  • ·easel
  • ·painting medium

Use high-quality oil paints for best results. Consider using a pre-primed canvas to save time.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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