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home·artworks·A View of Cliffs, Etretat
A View of Cliffs, Etretat by Nathaniel Hone the Younger

plate no. 7032

A View of Cliffs, Etretat

Nathaniel Hone the Younger

oilRealismlandscapecliffsbeachseaskylandscapefigures
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing subtle color variations in natural light. It also provides practice in simplifying complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the cliffs, beach, and horizon line.

  2. step 02

    Block in the sky with a thin wash of blue-gray.

  3. step 03

    Establish the base colors for the cliffs, focusing on the overall warm tone.

  4. step 04

    Add darker values to the shadows on the cliffs, using browns and grays.

  5. step 05

    Paint the beach with a mix of gray and beige, varying the tones to suggest depth.

  6. step 06

    Add the sea with a blue-gray mix, creating a subtle gradient towards the horizon.

  7. step 07

    Refine the details of the cliffs, adding highlights and texture with visible brushstrokes.

  8. step 08

    Add small figures on the beach to give a sense of scale.

color palette

primary · titanium white · ultramarine blue · yellow ochre

secondary · burnt umber · raw sienna · payne's gray

Mix white with small amounts of blue and yellow ochre to create the sky and sea. Use burnt umber and raw sienna to create the warm tones of the cliffs, and add white to lighten the values.

techniques

  • ·dry brush texture
  • ·color mixing
  • ·atmospheric perspective
  • ·blocking in
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Using colors straight from the tube without mixing, resulting in a flat, unnatural look.
  • →Ignoring the subtle value shifts that create depth and atmosphere.
  • →Making the brushstrokes too uniform and losing the sense of texture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·round brushes
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·painting medium

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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