apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·A Venetian lady
A Venetian lady by Alessandro Zezzos

plate no. 0109

A Venetian lady

Alessandro Zezzos

watercolor, cardboardRealismportraitportraitfigurewomanhairclothingface
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and creating soft, blended edges with watercolor. Students will also learn to suggest form with subtle value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the head, shoulders, and clothing, paying attention to proportions.

  2. step 02

    Lay in a thin wash of a neutral color (e.g., raw umber) for the background, allowing it to dry.

  3. step 03

    Begin building up skin tones with very diluted washes of pinks, yellows, and browns, focusing on the light and shadow areas.

  4. step 04

    Paint the hair with a mix of browns and blacks, using loose brushstrokes to suggest texture.

  5. step 05

    Add the clothing with a mix of blues, grays, and browns, paying attention to the folds and shadows.

  6. step 06

    Introduce the red accents in the shawl, blending them softly into the surrounding colors.

  7. step 07

    Refine the facial features, adding details to the eyes, nose, and mouth.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · raw umber · burnt sienna · ultramarine blue · titanium white

secondary · alizarin crimson · yellow ochre · ivory black

Achieve skin tones by mixing burnt sienna, alizarin crimson, and yellow ochre with white. Use ultramarine blue and burnt umber to create various shades of gray for the clothing and background.

techniques

  • ·wet-on-wet blending
  • ·glazing
  • ·dry brushing
  • ·color mixing
  • ·portrait sketching

common pitfalls

  • →Overworking the details too early
  • →Using colors straight from the tube without mixing
  • →Creating harsh lines instead of soft edges
  • →Getting the proportions of the face wrong

materials

surface · watercolor paper 140lb

required

  • ·Watercolor paints
  • ·Watercolor brushes (round and flat)
  • ·Watercolor paper (140lb)
  • ·Palette
  • ·Water container
  • ·Pencil
  • ·Eraser
  • ·Paper towels

optional

  • ·Masking fluid
  • ·Palette knife
  • ·Spray bottle

Use high-quality watercolor paper to prevent buckling and allow for better blending. Experiment with different brush sizes to achieve various effects.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

watercolor techniques →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy