
plate no. 0109
Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and creating soft, blended edges with watercolor. Students will also learn to suggest form with subtle value changes.
technical profile
approach — 8 steps
Lightly sketch the basic shapes of the head, shoulders, and clothing, paying attention to proportions.
Lay in a thin wash of a neutral color (e.g., raw umber) for the background, allowing it to dry.
Begin building up skin tones with very diluted washes of pinks, yellows, and browns, focusing on the light and shadow areas.
Paint the hair with a mix of browns and blacks, using loose brushstrokes to suggest texture.
Add the clothing with a mix of blues, grays, and browns, paying attention to the folds and shadows.
Introduce the red accents in the shawl, blending them softly into the surrounding colors.
Refine the facial features, adding details to the eyes, nose, and mouth.
Add final highlights and shadows to create depth and dimension.
color palette
primary · raw umber · burnt sienna · ultramarine blue · titanium white
secondary · alizarin crimson · yellow ochre · ivory black
Achieve skin tones by mixing burnt sienna, alizarin crimson, and yellow ochre with white. Use ultramarine blue and burnt umber to create various shades of gray for the clothing and background.
techniques
common pitfalls
surface · watercolor paper 140lb
required
optional
Use high-quality watercolor paper to prevent buckling and allow for better blending. Experiment with different brush sizes to achieve various effects.
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