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home·artworks·A trompe l'oeil of an open glazed cupboard door, with numerous papers and objects
A trompe l'oeil of an open glazed cupboard door, with numerous papers and objects by Cornelis Norbertus Gysbrechts

plate no. 0171

A trompe l'oeil of an open glazed cupboard door, with numerous papers and objects

Cornelis Norbertus Gysbrechts, 1666

oilBaroquestill lifecupboardletterscoinsfeatherstill lifewood
experienced study

Recreating this painting will help students develop skills in rendering realistic textures, creating depth through layering, and understanding trompe l'oeil techniques. It also provides practice in depicting various materials like paper, wood, and metal.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the overall composition, paying attention to the perspective of the cupboard door.

  2. step 02

    Block in the main shapes and values of the cupboard, letters, and other objects.

  3. step 03

    Begin layering colors, starting with the darkest areas and gradually adding highlights.

  4. step 04

    Focus on rendering the textures of the wood grain, paper, and metal coins.

  5. step 05

    Add details to the letters, including the writing and seals.

  6. step 06

    Refine the highlights and shadows to create a sense of depth and realism.

  7. step 07

    Pay close attention to the edges of the objects to create the trompe l'oeil effect.

  8. step 08

    Add final details and adjust colors as needed.

color palette

primary · burnt umber · raw sienna · ivory black

secondary · titanium white · yellow ochre · cadmium yellow

Achieve the wood tones by mixing burnt umber and raw sienna with varying amounts of white. Use yellow ochre and cadmium yellow for highlights and to create a warm glow. Mix ivory black with burnt umber for the darkest shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·layering
  • ·trompe l'oeil

common pitfalls

  • →Getting the perspective of the cupboard door wrong.
  • →Failing to create a convincing sense of depth.
  • →Overworking the details and losing the overall composition.
  • →Not paying enough attention to the textures of the different materials.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. A smooth canvas surface will make it easier to render the fine details.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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