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home·artworks·A tricky choice
A tricky choice by Noè Bordignon

plate no. 1121

A tricky choice

Noè Bordignon

oil, canvasRealismgenre paintingfiguresbuildingsstonemarketarchitecturestreet
experienced study

Recreating this painting will help students develop skills in rendering figures in a realistic setting and understanding atmospheric perspective to create depth. It also provides practice in capturing the texture of stone and fabric.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch to establish the composition and placement of figures and buildings.

  2. step 02

    Block in the main shapes and colors of the buildings and figures using thin washes.

  3. step 03

    Develop the values and details of the stone architecture, paying attention to light and shadow.

  4. step 04

    Refine the figures, focusing on accurate proportions and clothing details.

  5. step 05

    Add details to the foreground, including the cobblestones and any objects on the table.

  6. step 06

    Work on the background elements, using lighter values and softer edges to create atmospheric perspective.

  7. step 07

    Add final highlights and shadows to enhance the sense of depth and realism.

  8. step 08

    Glaze with thin layers of color to unify the painting and adjust the overall tone.

color palette

primary · raw umber · burnt sienna · titanium white

secondary · yellow ochre · cadmium red · ultramarine blue

Mix various shades of brown and gray by combining raw umber, burnt sienna, and titanium white. Use ultramarine blue to cool down the grays for the distant buildings and sky. Add small amounts of cadmium red to warm up the browns for the figures' clothing.

techniques

  • ·underpainting
  • ·glazing
  • ·atmospheric perspective
  • ·rendering fabric
  • ·chiaroscuro

common pitfalls

  • →Getting lost in the details too early.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the principles of atmospheric perspective.
  • →Incorrect proportions of figures

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits
  • ·easel

Use a medium-tooth canvas for better texture. Consider using a toned canvas to speed up the underpainting process.

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oil painting for beginners →how to learn by studying the masters →
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