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home·artworks·A Toast in the Idun Society
A Toast in the Idun Society by Anders Zorn

plate no. 1533

A Toast in the Idun Society

Anders Zorn, 1892

oil, canvasRealismgenre paintingfiguresmenbeardsinteriorcigarglass
some experience helpful

Recreating this painting will help students develop skills in portraiture, capturing light and shadow on faces, and creating depth through layering and subtle color variations. It also offers practice in rendering textures like fabric and facial hair with expressive brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figure and background elements, focusing on proportions and placement.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar neutral tone.

  3. step 03

    Block in the main areas of color, starting with the darkest shadows and working towards the highlights.

  4. step 04

    Develop the skin tones, paying attention to subtle shifts in color and value.

  5. step 05

    Refine the details of the face, hands, and clothing, using smaller brushes and more precise strokes.

  6. step 06

    Add the details of the glass and cigar, capturing the reflections and textures.

  7. step 07

    Adjust the background and surrounding figures, ensuring they recede into the distance.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · ivory black · titanium white · yellow ochre · burnt sienna

secondary · cadmium red light · ultramarine blue · raw umber

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use black and burnt umber for dark areas, lightening with white for highlights. Mix ultramarine blue and burnt umber for the blacks in the suit.

techniques

  • ·alla prima
  • ·scumbling
  • ·glazing
  • ·chiaroscuro
  • ·broken color

common pitfalls

  • →Overblending the skin tones, resulting in a flat and lifeless appearance.
  • →Ignoring the subtle color variations in the shadows and highlights.
  • →Getting lost in the details too early, before establishing the overall value structure.
  • →Not paying enough attention to the proportions of the figure.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (ivory black, titanium white, yellow ochre, burnt sienna, cadmium red light, ultramarine blue, raw umber)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·palette
  • ·assorted brushes (round and flat, various sizes)
  • ·palette knife
  • ·rags or paper towels

optional

  • ·retouch varnish
  • ·painting medium (e.g., Liquin)

Use high-quality oil paints for best results. A medium-tooth canvas will provide a good surface for the brushstrokes.

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oil painting for beginners →how to learn by studying the masters →
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