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home·artworks·A Temperance Meeting (or Noon Time)
A Temperance Meeting (or Noon Time) by Winslow Homer

plate no. 3161

A Temperance Meeting (or Noon Time)

Winslow Homer, 1874

oilRealismgenre paintingfigureslandscapebarncowsfieldsky
some experience helpful

This painting offers a good opportunity to practice color temperature and atmospheric perspective. Students can also learn to simplify complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the barn.

  2. step 02

    Block in the large areas of color, starting with the sky and the field.

  3. step 03

    Establish the light and shadow patterns on the barn and the figures.

  4. step 04

    Refine the shapes of the figures, paying attention to their proportions and gestures.

  5. step 05

    Add details to the field, such as the flowers and the grass.

  6. step 06

    Paint the cows in the background, using lighter values to create atmospheric perspective.

  7. step 07

    Add final details and highlights to the figures and the barn.

  8. step 08

    Glaze with burnt umber to unify the painting.

color palette

primary · burnt sienna · yellow ochre · ultramarine blue · titanium white

secondary · cadmium red · raw umber · sap green

Mix various shades of brown and ochre for the field and the barn. Use ultramarine blue and white for the sky, adding a touch of yellow ochre near the horizon. Mix red and brown for the cows.

techniques

  • ·blocking in
  • ·blending
  • ·scumbling
  • ·glazing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details in the field.
  • →Making the figures too stiff or unnatural.
  • →Failing to create a sense of depth in the landscape.
  • →Using colors that are too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·round brushes size 2, 4, 6
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·raw umber oil paint
  • ·cadmium red oil paint

Use a limited palette to simplify the color mixing process. Consider using a toned canvas to establish a base color.

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oil painting for beginners →how to learn by studying the masters →
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