
plate no. 1632
George Elgar Hicks, 1910
Recreating this painting will help students develop skills in portraiture, particularly rendering skin tones and soft lighting, as well as capturing the texture of fabric and flowers with visible brushstrokes.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement of the figure and the roses.
Block in the main areas of color: skin, hair, dress, background, and flowers.
Begin refining the skin tones, using subtle color variations to create form.
Develop the details of the hair, using short, broken brushstrokes.
Work on the dress, paying attention to the folds and highlights.
Paint the roses, capturing their individual shapes and colors.
Refine the background, adding texture and subtle color variations.
Add final details and highlights to complete the painting.
color palette
primary · titanium white · burnt umber · alizarin crimson · yellow ochre
secondary · viridian · ultramarine blue · cadmium red light · raw sienna
Mix skin tones by blending white, yellow ochre, burnt umber, and a touch of alizarin crimson. Achieve rose colors by mixing alizarin crimson with white and a touch of yellow ochre or burnt umber.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a good quality canvas and oil paints for best results. Allow each layer of paint to dry before applying the next.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein