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home·artworks·A Souvenir of Velazquez
A Souvenir of Velazquez by John Everett Millais

plate no. 8194

A Souvenir of Velazquez

John Everett Millais

oil, canvasRealismportraitportraitfiguregirldressflowerhair
experienced study

Recreating this painting will develop skills in portraiture, particularly in capturing likeness and creating realistic skin tones, as well as understanding how to use light and shadow to create depth and form.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions of the figure and the placement of the main elements.

  2. step 02

    Establish the dark background with thin washes of dark brown and black, gradually building up depth.

  3. step 03

    Block in the main shapes of the dress and skin tones, paying attention to the overall color harmony.

  4. step 04

    Start building up the skin tones with layers of thin glazes, focusing on capturing the subtle variations in color and value.

  5. step 05

    Work on the details of the face, including the eyes, nose, and mouth, paying close attention to the light and shadow.

  6. step 06

    Add details to the dress, including the ribbons, lace, and folds, using a variety of brushstrokes to create texture.

  7. step 07

    Paint the flower and leaves, focusing on capturing their delicate forms and colors.

  8. step 08

    Refine the overall painting, adjusting the values and colors as needed to create a cohesive and realistic image.

color palette

primary · ivory black · cadmium red · yellow ochre · titanium white

secondary · burnt umber · ultramarine blue · cadmium yellow

Mix skin tones using titanium white, yellow ochre, and cadmium red, with small amounts of burnt umber and ultramarine blue for shadows. Achieve the dark background by mixing ivory black and burnt umber. Use cadmium red and titanium white to create the pinkish hues of the dress.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·blending

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the skin tones and making them look muddy.
  • →Failing to capture the subtle variations in color and value.
  • →Ignoring the importance of light and shadow in creating depth and form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·mahogany palette

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color harmony.

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related guides

oil painting for beginners →how to learn by studying the masters →
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