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home·artworks·A southern port scene with numerous figures on a quayside
A southern port scene with numerous figures on a quayside by Abraham Storck

plate no. 3380

A southern port scene with numerous figures on a quayside

Abraham Storck

oilBaroquemarinaharborshipsfiguresarchitecturecloudswater
experienced study

Recreating this painting will help students develop skills in atmospheric perspective, rendering complex forms, and capturing the nuances of light and shadow across various surfaces. It also encourages careful observation of details in a busy scene.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the basic composition, including the horizon line, major architectural elements, and placement of the ships.

  2. step 02

    Block in the sky and water with broad strokes, paying attention to the overall color and value relationships.

  3. step 03

    Establish the basic shapes and values of the architectural structures, focusing on the light and shadow patterns.

  4. step 04

    Start adding details to the ships, including the sails, rigging, and hulls. Use a smaller brush for finer lines.

  5. step 05

    Begin to populate the foreground with figures, using simplified shapes and values to suggest their forms.

  6. step 06

    Refine the details of the figures, adding clothing, faces, and gestures. Pay attention to the interaction between figures.

  7. step 07

    Add final details to the architectural elements, including the textures of the stone and the details of the statues.

  8. step 08

    Adjust the overall color and value relationships to create a sense of depth and atmosphere.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · cadmium red light · ivory black

Achieve the sky colors by mixing ultramarine blue and titanium white, with small amounts of burnt umber to create subtle variations. Use yellow ochre and burnt umber for the warm tones of the architecture and ground.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·rendering textures
  • ·figure drawing

common pitfalls

  • →Getting bogged down in details too early in the process.
  • →Failing to establish a clear value structure.
  • →Ignoring the effects of atmospheric perspective.
  • →Making the figures too detailed or prominent.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·turpentine or odorless mineral spirits
  • ·linseed oil
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a canvas with a fine weave for better detail rendering. Consider using a toned ground to help establish value relationships.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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