
plate no. 7861
Pieter Claesz., 1636
Recreating this painting will help students develop skills in rendering reflective surfaces and creating subtle tonal variations to depict form. It also provides practice in arranging a balanced still life composition.
technical profile
approach — 8 steps
Sketch the basic shapes and placement of the objects on the canvas, paying attention to proportions.
Establish the background color with a thin wash of neutral tones.
Block in the main colors of each object, focusing on the overall value structure.
Begin to refine the shapes and forms, adding highlights and shadows to create depth.
Carefully render the reflective surfaces of the glass and metal objects, observing how light interacts with them.
Add details such as the texture of the lemon peel and the patterns on the glass.
Adjust the overall composition and values to create a sense of harmony and balance.
Add final details and highlights to complete the painting.
color palette
primary · raw umber · yellow ochre · ivory black
secondary · cadmium yellow · burnt sienna · titanium white
Use raw umber and ivory black to create the dark tones. Mix yellow ochre and cadmium yellow for the lemon. Burnt sienna can be used to add warmth to the metal.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a toned ground to simplify the initial stages of painting.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Girl with a Straw Hat
Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten
Abraham Storck

Bathsheba Bathing
Francesco Solimena

Repentant Peter
Guido Reni

Itinerant Musicians
Jacob Ochtervelt

Marie Christine
Marcello Bacciarelli

Santa Cecilia E Due Angeli
Giulio Cesare Procaccini

Scene from the Life of Saint Benedict
Philippe de Champaigne