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home·artworks·A Shy Peasant
A Shy Peasant by Ilya Repin

plate no. 4041

A Shy Peasant

Ilya Repin, 1877

oil, canvasRealismportraitportraitfiguremanbeardclothingface
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering textures like hair and fabric. It also provides practice in using a limited palette to create a range of values and tones.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, paying attention to the placement of the head, shoulders, and clothing.

  2. step 02

    Establish the background color with a thin wash of green and grey tones.

  3. step 03

    Block in the main areas of color on the face, beard, and clothing, focusing on the overall value structure.

  4. step 04

    Refine the facial features, paying close attention to the eyes, nose, and mouth. Use subtle color variations to create depth and form.

  5. step 05

    Develop the textures of the hair and beard using short, broken brushstrokes.

  6. step 06

    Add details to the clothing, such as folds and shadows, to create a sense of volume.

  7. step 07

    Adjust the overall values and colors to create a cohesive and harmonious composition.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · ivory black · yellow ochre · viridian

Achieve skin tones by mixing burnt umber, raw sienna, and white. Use small amounts of black and yellow ochre to adjust the warmth and coolness of the colors. Mix viridian with white and yellow ochre to create the background color.

techniques

  • ·alla prima
  • ·dry brushing
  • ·scumbling
  • ·value studies
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the subtle color variations in the skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (burnt umber, raw sienna, titanium white, ivory black, yellow ochre, viridian)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·rags

optional

  • ·medium gloss
  • ·painting easel
  • ·mahl stick

Use a medium-grit canvas for best results. Consider using a limited palette to simplify the color mixing process.

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