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A Schoolboy by Edward E. Simmons

plate no. 0503

A Schoolboy

Edward E. Simmons

oilRealismportraitportraitboysuitbooksfigurepencil
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in depicting fabric and creating depth through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the figure's pose and proportions.

  2. step 02

    Block in the main shapes and areas of color, focusing on the overall composition.

  3. step 03

    Establish the dark background using a thin wash of dark color.

  4. step 04

    Begin to build up the skin tones, layering colors to create depth and form.

  5. step 05

    Define the features of the face, paying close attention to the eyes, nose, and mouth.

  6. step 06

    Paint the suit, using subtle value changes to create the illusion of folds and texture.

  7. step 07

    Add details such as the books, pencil, and collar.

  8. step 08

    Refine the painting, adjusting values and colors as needed to achieve a realistic effect.

color palette

primary · ivory black · titanium white · raw umber · burnt sienna

secondary · cadmium red light · yellow ochre

Mix various shades of gray by combining ivory black and titanium white. Add small amounts of raw umber or burnt sienna to warm up the grays. Use cadmium red light and yellow ochre to create subtle skin tones.

techniques

  • ·portraiture
  • ·value study
  • ·blending
  • ·layering
  • ·glazing

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the skin tones, resulting in a flat or lifeless appearance.
  • →Failing to create enough contrast between the figure and the background.
  • →Ignoring the subtle value changes in the suit, resulting in a flat or unrealistic appearance.

materials

surface · stretched canvas

required

  • ·Stretched canvas 16x20
  • ·Oil paints: ivory black, titanium white, raw umber, burnt sienna, cadmium red light, yellow ochre
  • ·Assorted brushes (round and flat)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Experiment with different brush sizes and shapes to achieve different effects.

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oil painting for beginners →how to learn by studying the masters →
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