
plate no. 2913
Salomon Koninck, 1646
Recreating this painting will help students understand chiaroscuro and how to depict light emanating from a single source. It also provides practice in rendering details in low-light conditions.
technical profile
approach — 8 steps
Prepare a toned canvas with a dark umber wash.
Lightly sketch the main shapes: the room, the figure, the desk, and the window.
Establish the darkest areas of the painting with a dark brown or black.
Begin layering in the highlights around the candlelight, using a warm yellow-ochre.
Gradually build up the mid-tones, blending the highlights into the shadows.
Refine the details of the figure and the objects on the desk, paying attention to how the light falls on them.
Add subtle reflected light in the darker areas to create depth.
Glaze with thin layers of color to unify the painting and enhance the luminosity.
color palette
primary · ivory black · raw umber · yellow ochre
secondary · burnt umber · titanium white
Mix yellow ochre with small amounts of burnt umber to create the warm highlights. Use ivory black and raw umber for the darks, adding a touch of yellow ochre for warmth. Titanium white is used sparingly to create the brightest highlights.
techniques
common pitfalls
surface · stretched canvas
required
optional
A smooth canvas is recommended for easier blending. Consider using a pre-toned canvas to save time.
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