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home·artworks·A Scholar in his Study
A Scholar in his Study by Salomon Koninck

plate no. 2913

A Scholar in his Study

Salomon Koninck, 1646

wood, panel, oilBaroquegenre paintinginteriorfigurebooksdeskcandlelightscholar
some experience helpful

Recreating this painting will help students understand chiaroscuro and how to depict light emanating from a single source. It also provides practice in rendering details in low-light conditions.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
5
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Prepare a toned canvas with a dark umber wash.

  2. step 02

    Lightly sketch the main shapes: the room, the figure, the desk, and the window.

  3. step 03

    Establish the darkest areas of the painting with a dark brown or black.

  4. step 04

    Begin layering in the highlights around the candlelight, using a warm yellow-ochre.

  5. step 05

    Gradually build up the mid-tones, blending the highlights into the shadows.

  6. step 06

    Refine the details of the figure and the objects on the desk, paying attention to how the light falls on them.

  7. step 07

    Add subtle reflected light in the darker areas to create depth.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the luminosity.

color palette

primary · ivory black · raw umber · yellow ochre

secondary · burnt umber · titanium white

Mix yellow ochre with small amounts of burnt umber to create the warm highlights. Use ivory black and raw umber for the darks, adding a touch of yellow ochre for warmth. Titanium white is used sparingly to create the brightest highlights.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·underpainting
  • ·tonal painting

common pitfalls

  • →Failing to establish a strong value structure early on.
  • →Overworking the highlights and losing the sense of darkness.
  • →Using too much white, which can make the painting look chalky.
  • →Ignoring the subtle reflected light in the shadows.

materials

surface · stretched canvas

required

  • ·Stretched canvas
  • ·Raw umber oil paint
  • ·Ivory black oil paint
  • ·Yellow ochre oil paint
  • ·Burnt umber oil paint
  • ·Titanium white oil paint
  • ·Round brushes (sizes 2, 4, 6)
  • ·Linseed oil

optional

  • ·Palette knife
  • ·Medium gloss
  • ·Odorless mineral spirits

A smooth canvas is recommended for easier blending. Consider using a pre-toned canvas to save time.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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