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home·artworks·A Scene on the Ice near Dordrecht
A Scene on the Ice near Dordrecht by Jan van Goyen

plate no. 7142

A Scene on the Ice near Dordrecht

Jan van Goyen

oilBaroquelandscapeicefiguresskybuildingsboatstown
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering figures in a landscape. It also provides practice in creating a sense of depth and distance through subtle value and color changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the horizon line, major shapes of the buildings, and the overall composition.

  2. step 02

    Establish the sky with a thin wash of muted yellows and grays, blending the colors softly.

  3. step 03

    Block in the large shapes of the buildings and ice using a limited palette of earth tones.

  4. step 04

    Gradually add details to the buildings, paying attention to the subtle variations in color and texture.

  5. step 05

    Begin adding figures, starting with the larger ones in the foreground and gradually decreasing in size towards the background.

  6. step 06

    Use thin washes of color to create the illusion of distance and atmospheric perspective.

  7. step 07

    Add details to the boats and other objects in the scene.

  8. step 08

    Refine the details and add highlights to create a sense of depth and realism.

color palette

primary · yellow ochre · raw umber · titanium white · ivory black

secondary · burnt sienna · Prussian blue · red ochre

Achieve the muted tones by mixing earth colors with white and small amounts of black or blue. Use thin washes to create subtle color variations and atmospheric effects.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·figure drawing

common pitfalls

  • →Overworking the details too early in the process.
  • →Using colors that are too bright or saturated.
  • →Failing to create a sense of depth and distance.
  • →Making the figures too uniform in size and shape.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (yellow ochre, raw umber, titanium white, ivory black, burnt sienna)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Allow each layer of paint to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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