apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·A Scene on the Ice
A Scene on the Ice by Hendrick Avercamp

plate no. 0403

A Scene on the Ice

Hendrick Avercamp, 1620

oilBaroquelandscapefiguresiceboatsskylandscapewinter
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering figures in a landscape setting. It also provides practice in creating a sense of depth and distance through subtle color variations.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the horizon line, boats, and main figure groupings.

  2. step 02

    Establish the sky with a light, blended wash of blues and whites.

  3. step 03

    Block in the large shapes of the boats and figures using simplified forms and local colors.

  4. step 04

    Develop the ice surface with subtle variations of white, gray, and hints of blue and brown.

  5. step 05

    Add details to the figures, paying attention to their clothing and gestures.

  6. step 06

    Refine the boats, adding rigging and other details.

  7. step 07

    Use atmospheric perspective to push the background elements further away, reducing detail and softening colors.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · titanium white · raw umber · burnt sienna

secondary · ultramarine blue · cadmium red light · yellow ochre

Achieve the muted tones by mixing white with small amounts of umber, sienna, and blue. Use red and yellow sparingly for accents in the figures' clothing.

techniques

  • ·atmospheric perspective
  • ·scumbling
  • ·glazing
  • ·figure drawing
  • ·linear perspective

common pitfalls

  • →Overworking the details in the background
  • →Creating too much contrast in the figures
  • →Failing to establish a clear sense of depth
  • →Using colors that are too saturated

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a fine-weave canvas for smoother blending. Consider using a toned ground to help establish the overall color harmony.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne