apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·A Roof Garden
A Roof Garden by August von Pettenkofen

plate no. 8965

A Roof Garden

August von Pettenkofen

oilRealismcityscaperoofgardenplantsbuildingsterracottaflowers
some experience helpful

Recreating this painting will help students develop skills in perspective, color mixing for natural light, and depicting textures with visible brushstrokes. It's a good exercise in capturing the essence of a scene rather than precise detail.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and perspective lines of the buildings, planters, and pots.

  2. step 02

    Block in the large areas of color, starting with the sky and then the buildings.

  3. step 03

    Establish the basic values (light and dark) on the planters and pots.

  4. step 04

    Add the foliage, focusing on shapes and masses rather than individual leaves.

  5. step 05

    Refine the details of the buildings and planters, adding subtle color variations.

  6. step 06

    Introduce the flowers, using small brushstrokes to create texture.

  7. step 07

    Adjust the overall values and colors to create a sense of depth and atmosphere.

  8. step 08

    Add final details and highlights to bring the painting to life.

color palette

primary · burnt umber · raw sienna · titanium white · ultramarine blue

secondary · sap green · cadmium orange · dioxazine purple

Mix burnt umber and raw sienna with white for the terracotta pots and buildings. Use ultramarine blue and white for the sky, adding a touch of burnt umber to dull the color. Mix sap green with burnt umber and white for the foliage.

techniques

  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·atmospheric perspective
  • ·impasto

common pitfalls

  • →Overworking the details
  • →Getting the perspective wrong
  • →Using colors that are too saturated
  • →Not establishing a clear value structure

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·easel

Use a canvas with a medium texture to allow the brushstrokes to show through. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy