
plate no. 2049
Abraham Storck, 1679
Recreating this painting will help students develop skills in atmospheric perspective and capturing reflections in water. It also provides practice in rendering complex shapes like boats and windmills with simplified forms.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the horizon line and placement of major elements like windmills and boats.
Establish the sky with a base layer of light blue-gray, then add cloud formations using soft, blended strokes.
Block in the water with horizontal strokes, varying the tones to suggest depth and reflections.
Paint the distant shoreline and buildings, using muted colors and less detail to create atmospheric perspective.
Add the windmills, paying attention to their structure and the direction of light.
Paint the boats, starting with the larger ones in the foreground and gradually adding details.
Add figures in the boats, simplifying their forms and focusing on their gestures.
Refine the details, such as reflections in the water and highlights on the sails.
color palette
primary · ultramarine blue · raw umber · titanium white · yellow ochre
secondary · burnt sienna · cadmium red light · ivory black
Mix various shades of gray for the sky and water by combining ultramarine blue, raw umber, and titanium white. Use yellow ochre and burnt sienna to create warm tones for the buildings and sails. Add small amounts of cadmium red light to create the orange sails.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider toning the canvas with a thin wash of raw umber before starting.
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