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home·artworks·A Portrait of Miss Jenny.
A Portrait of Miss Jenny. by Xu Beihong

plate no. 6541

A Portrait of Miss Jenny.

Xu Beihong, 1939

oilRealismportraitportraitfigurechairinteriorbookshelfwindow
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric folds, as well as understanding how to create depth through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions of the figure and the placement of the chair and background elements.

  2. step 02

    Establish the main value areas, blocking in the darks and lights of the figure, chair, and background.

  3. step 03

    Begin refining the skin tones, using thin layers of paint and subtle color variations to create a realistic effect.

  4. step 04

    Develop the details of the dress, paying attention to the way the fabric drapes and folds.

  5. step 05

    Add the details of the chair, bookshelf, and window, using a variety of brushstrokes to create texture and interest.

  6. step 06

    Refine the facial features, paying close attention to the eyes, nose, and mouth.

  7. step 07

    Add final highlights and shadows to create a sense of depth and dimension.

  8. step 08

    Glaze the painting with thin layers of color to unify the composition and enhance the overall effect.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · burnt sienna · ivory black · ultramarine blue

Mix skin tones by combining white, yellow ochre, and a touch of red or brown. Use raw umber and black to create the dark tones of the chair and background. Mix blues and browns for the window view.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·scumbling
  • ·value studies

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the subtle value changes that create depth and dimension.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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