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home·artworks·A Portrait of Madame Cheng.
A Portrait of Madame Cheng. by Xu Beihong

plate no. 7304

A Portrait of Madame Cheng.

Xu Beihong, 1941

oilRealismportraitportraitfigurechairwindowinteriorclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in depicting fabric and creating a sense of depth in an interior setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the basic shapes and proportions of the figure and background.

  2. step 02

    Block in the main areas of color, focusing on the overall value structure.

  3. step 03

    Begin refining the skin tones, paying attention to subtle variations in color and value.

  4. step 04

    Develop the details of the clothing, using darker values to create shadows and folds.

  5. step 05

    Paint the background elements, including the window and furniture, with less detail than the figure.

  6. step 06

    Add highlights to the face, hands, and clothing to create a sense of light and form.

  7. step 07

    Refine the details of the face, including the eyes, nose, and mouth.

  8. step 08

    Make final adjustments to the colors and values to create a cohesive and realistic portrait.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · viridian · cadmium red light

Mix various combinations of raw umber, burnt sienna, and white to achieve the skin tones. Use ivory black and raw umber for the dark clothing, adding small amounts of other colors to create subtle variations.

techniques

  • ·portrait painting
  • ·glazing
  • ·scumbling
  • ·color mixing
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and losing the subtle variations.
  • →Making the dark clothing too flat and lifeless.
  • →Ignoring the background and failing to create a sense of depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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