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home·artworks·A portrait of E. I. Makovsky
A portrait of E. I. Makovsky by Vladimir Makovsky

plate no. 1879

A portrait of E. I. Makovsky

Vladimir Makovsky, 1880

oilRealismportraitportraitfiguremanclothingchairbooks
experienced study

Recreating this painting will help students understand how to create form using subtle value changes and how to suggest details with loose brushwork. It also provides practice in capturing likeness and creating a sense of depth with a limited palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the composition, focusing on proportions and placement of the figure.

  2. step 02

    Block in the main shapes with thin washes of color, establishing the overall value structure.

  3. step 03

    Start building up the dark areas of the background and clothing, gradually adding layers of paint.

  4. step 04

    Focus on the face, carefully mixing colors to match the skin tones and capturing the likeness.

  5. step 05

    Add details to the hands and cane, paying attention to the light and shadow.

  6. step 06

    Refine the details of the clothing and chair, using loose brushstrokes to suggest texture.

  7. step 07

    Add highlights to the face and hands to create a sense of depth and dimension.

  8. step 08

    Make final adjustments to the values and colors to achieve a cohesive and realistic painting.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · burnt sienna · cadmium red light

Mix ivory black and raw umber for the dark areas, adding small amounts of burnt sienna for warmth. Use titanium white and yellow ochre for the highlights, adding a touch of cadmium red light for the skin tones.

techniques

  • ·chiaroscuro
  • ·scumbling
  • ·glazing
  • ·portraiture
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the loose, painterly quality.
  • →Failing to capture the likeness of the subject.
  • →Creating muddy colors by overmixing.
  • →Not establishing a strong value structure early on.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·round brushes size 2-6
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use high-quality oil paints for best results. A medium-sized canvas (16x20 or 18x24) is recommended.

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oil painting for beginners →how to learn by studying the masters →
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