
plate no. 0618
Jan Lievens, 1627
Recreating this painting will help students develop skills in portraiture, particularly rendering realistic skin tones and textures, and understanding chiaroscuro to create depth and drama. It also provides practice in depicting aged features and the textures of different materials like paper and cloth.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement of the figure and the books.
Establish the overall value structure with a thin wash of burnt umber or similar earth tone.
Block in the main areas of color: the skin tones, the clothing, the books, and the background.
Begin layering and blending the skin tones, paying close attention to the subtle variations in color and value.
Develop the details of the beard, using small brushstrokes to create texture and volume.
Refine the details of the books and scroll, adding highlights and shadows to create depth.
Adjust the overall lighting and contrast, adding highlights where needed and deepening the shadows.
Add final details and glazes to unify the painting and enhance the colors.
color palette
primary · raw umber · burnt umber · titanium white · yellow ochre
secondary · ivory black · ultramarine blue · cadmium yellow light
Achieve skin tones by mixing white, yellow ochre, and a touch of burnt umber. Use ultramarine blue and black to create the dark tones of the hat and shadows. Mix raw umber and yellow ochre for the books and scroll.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Consider using a toned canvas to speed up the underpainting process.
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