apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·A Nocturnal Interior of a Gothic Cathedral with a Candlelit Procession
A Nocturnal Interior of a Gothic Cathedral with a Candlelit Procession by Pieter Neefs I

plate no. 1932

A Nocturnal Interior of a Gothic Cathedral with a Candlelit Procession

Pieter Neefs I

canvas, oilBaroqueinteriorcathedralarchitectureinteriorfiguresarcheslight
experienced study

Recreating this painting will help students understand atmospheric perspective and how to create the illusion of depth using value and color. It will also develop skills in rendering complex architectural details and figures in shadow.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic architectural structure, focusing on perspective and the placement of arches and columns.

  2. step 02

    Establish the main light source and the areas of light and shadow.

  3. step 03

    Block in the large areas of color, starting with the darkest tones.

  4. step 04

    Begin refining the architectural details, paying attention to the subtle variations in color and value.

  5. step 05

    Add the figures, focusing on their silhouettes and how they interact with the light.

  6. step 06

    Paint the checkered floor, carefully rendering the perspective.

  7. step 07

    Add the final details, such as the chandelier and the small figures in the distance.

  8. step 08

    Glaze to unify the painting and enhance the atmospheric effect.

color palette

primary · raw umber · burnt umber · yellow ochre

secondary · ivory black · titanium white · cadmium yellow light

Achieve the warm, muted tones by mixing raw umber and burnt umber with small amounts of yellow ochre and white. Use black sparingly to deepen shadows. Create the highlights by adding more white and a touch of cadmium yellow light.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·linear perspective
  • ·chiaroscuro

common pitfalls

  • →Getting the perspective wrong, which will ruin the illusion of depth.
  • →Overworking the details, which will make the painting look stiff and unnatural.
  • →Using too much black, which will make the painting look muddy.
  • →Ignoring the subtle variations in color and value, which will make the painting look flat.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·raw umber oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·#2 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·dammar varnish

Use a canvas with a smooth surface to facilitate blending and glazing. Consider using a toned ground to help establish the overall color scheme.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne