apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·A Mountain Path
A Mountain Path by Jan Dirksz Both

plate no. 0497

A Mountain Path

Jan Dirksz Both, 1650

oilBaroquelandscapelandscapetreesfiguresmountainsskypath
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex foliage. It also provides practice in depicting figures within a landscape setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the major elements (trees, mountains, figures).

  2. step 02

    Establish the horizon line and the overall perspective of the scene.

  3. step 03

    Block in the large shapes of the landscape with thin washes of color, starting with the sky and distant mountains.

  4. step 04

    Gradually build up the layers of foliage, using a variety of greens and browns to create depth and texture.

  5. step 05

    Add details to the figures, paying attention to their proportions and poses.

  6. step 06

    Refine the lighting and shadows, using highlights to create a sense of form and dimension.

  7. step 07

    Add final details, such as small branches, leaves, and highlights on the rocks.

  8. step 08

    Glaze with thin layers to unify the painting and adjust the colors as needed.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · sap green · cadmium yellow light · raw sienna

Mix greens by combining yellow ochre and ultramarine blue. Achieve atmospheric perspective by adding white to colors for distant elements.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·broken color
  • ·dry brushing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong sense of atmospheric perspective.
  • →Using too much detail in the distant areas of the painting.
  • →Creating muddy colors by overmixing.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned ground to help establish the overall color harmony.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne