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home·artworks·A mother and son seated by a wall before the sea
A mother and son seated by a wall before the sea by Niccolo Cannicci

plate no. 1421

A mother and son seated by a wall before the sea

Niccolo Cannicci

oilRealismgenre paintingfigurestreeslandscapewallfoliagesea
some experience helpful

Recreating this painting will help students develop skills in depicting figures in a landscape setting and understanding how to create depth using color and brushwork. It also provides practice in rendering textures like foliage and stone.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures, the tree, and the wall.

  2. step 02

    Establish the background with broad strokes, suggesting the sea and distant trees.

  3. step 03

    Block in the main shapes of the figures and the tree trunk with mid-tone colors.

  4. step 04

    Begin to define the details of the figures, paying attention to the folds of the clothing and facial features.

  5. step 05

    Add texture to the tree bark and the stone wall using short, broken brushstrokes.

  6. step 06

    Develop the foliage with layers of green and brown, creating depth and variation.

  7. step 07

    Refine the highlights and shadows to create a sense of form and volume.

  8. step 08

    Add final details and adjust the overall color balance.

color palette

primary · olive green · burnt umber · titanium white

secondary · yellow ochre · ultramarine blue · raw sienna

Create the greens by mixing ultramarine blue and yellow ochre with varying amounts of white. Use burnt umber and white to achieve the grays and browns for the tree and wall. Add a touch of blue to the shadows to cool them down.

techniques

  • ·broken color
  • ·scumbling
  • ·layering
  • ·alla prima
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating flat, lifeless colors.
  • →Failing to establish a strong sense of depth.
  • →Ignoring the subtle variations in light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·painting medium
  • ·retouch varnish
  • ·easel

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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