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home·artworks·A Meeting of the School Trustees
A Meeting of the School Trustees by Robert Harris

plate no. 5675

A Meeting of the School Trustees

Robert Harris, 1885

oil, canvasRealismgenre paintingfiguresinteriortablemeetingschoolportraits
experienced study

Recreating this painting will help students develop skills in portraiture, capturing realistic skin tones, and rendering believable interior lighting and textures. It also provides practice in composing a scene with multiple figures and creating a narrative.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and placement of figures.

  2. step 02

    Block in the main shapes and colors of the background and figures using thin washes.

  3. step 03

    Develop the skin tones of the figures, paying attention to subtle variations in color and value.

  4. step 04

    Refine the details of the clothing and facial features, using smaller brushes.

  5. step 05

    Add highlights and shadows to create depth and dimension.

  6. step 06

    Work on the textures of the wood, cloth, and other materials.

  7. step 07

    Pay attention to the light source and how it affects the colors and shadows.

  8. step 08

    Add final details and adjustments to complete the painting.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · yellow ochre · cadmium red light · ultramarine blue

Achieve skin tones by mixing burnt umber, raw sienna, and white, with small amounts of red and blue for subtle variations. Use yellow ochre and white for highlights. Mix browns and blacks for clothing and shadows.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·underpainting
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Using colors that are too saturated or unrealistic.
  • →Failing to create a sense of depth and dimension.
  • →Overworking the painting and losing the freshness of the initial layers.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (burnt umber, raw sienna, ivory black, titanium white, yellow ochre, cadmium red light, ultramarine blue)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round and flat, various sizes)
  • ·palette
  • ·palette knife
  • ·rags or paper towels

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base for the painting.

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