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home·artworks·A Market Square in Tunis, Evening
A Market Square in Tunis, Evening by Tom Scott

plate no. 3938

A Market Square in Tunis, Evening

Tom Scott, 1889

oilRealismcityscapecityscapebuildingsfigurespalm treeskymarket
suitable for beginners

Recreating this painting will help students develop skills in atmospheric perspective and creating subtle color variations with a limited palette. It also provides practice in depicting architectural forms and figures in a landscape setting.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and perspective lines of the buildings, figures, and palm tree.

  2. step 02

    Establish the horizon line and the basic composition.

  3. step 03

    Apply a light wash of diluted yellow ochre or raw sienna to the entire paper to create a warm undertone.

  4. step 04

    Begin painting the sky with a very diluted blue, allowing it to blend softly with the undertone.

  5. step 05

    Paint the distant buildings with lighter, cooler tones to create atmospheric perspective.

  6. step 06

    Gradually build up the colors in the foreground buildings and figures, adding more detail and darker values.

  7. step 07

    Add the palm tree, paying attention to the shape and texture of the leaves.

  8. step 08

    Refine the details and add any final touches, such as shadows and highlights.

color palette

primary · yellow ochre · raw sienna · ultramarine blue

secondary · burnt umber · white · alizarin crimson

Mix yellow ochre and raw sienna for the warm tones of the buildings and ground. Use ultramarine blue diluted with water for the sky. Add burnt umber to the yellow ochre and raw sienna for darker shadows.

techniques

  • ·wet-on-wet blending
  • ·dry brush texture
  • ·atmospheric perspective
  • ·layering
  • ·glazing

common pitfalls

  • →Overworking the details too early in the process.
  • →Using colors that are too saturated or dark.
  • →Failing to establish a clear sense of perspective.
  • →Not allowing the washes to dry completely before adding subsequent layers.

materials

surface · watercolor paper 140lb

required

  • ·Watercolor paper 140lb
  • ·Watercolor paints
  • ·Round brushes (various sizes)
  • ·Flat brush
  • ·Palette
  • ·Water container
  • ·Pencil
  • ·Eraser

optional

  • ·Masking fluid
  • ·Palette knife
  • ·Ruler

Use high-quality watercolor paper to prevent buckling and ensure good color absorption. Experiment with different brush sizes and shapes to achieve various effects.

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oil painting for beginners →how to learn by studying the masters →
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