apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·A Man at his Desk
A Man at his Desk by Salomon Koninck

plate no. 6465

A Man at his Desk

Salomon Koninck

canvas, oilBaroqueportraitfigurebookdeskportraitinteriorwriting
some experience helpful

Recreating this painting will help students develop skills in chiaroscuro and rendering textures with visible brushstrokes. It also provides practice in capturing the likeness and mood of a portrait.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, book, and desk.

  2. step 02

    Establish the dark background and general light source.

  3. step 03

    Block in the main shapes of the figure and book with mid-tones.

  4. step 04

    Begin building up the highlights and shadows on the figure, paying attention to the facial features and folds of the clothing.

  5. step 05

    Develop the textures of the book pages and desk surface using varied brushstrokes.

  6. step 06

    Refine the details of the face and hands, focusing on the expression and gesture.

  7. step 07

    Add subtle color variations to the skin tones and clothing.

  8. step 08

    Glaze with thin layers to unify the painting and deepen the shadows.

color palette

primary · burnt umber · raw sienna · ivory black

secondary · yellow ochre · titanium white · cadmium red

Achieve the warm, muted tones by mixing burnt umber and raw sienna with small amounts of yellow ochre and white. Use ivory black sparingly to create deep shadows.

techniques

  • ·chiaroscuro
  • ·scumbling
  • ·dry brushing
  • ·glazing
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using too much black, resulting in a muddy appearance.
  • →Ignoring the subtle color variations in the skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use high-quality oil paints for best results. Consider toning the canvas with a thin wash of burnt umber before starting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne