apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·A Malorossian Hetman (Probably Pavlo Polubotok)
A Malorossian Hetman (Probably Pavlo Polubotok) by Ivan Nikitin

plate no. 5195

A Malorossian Hetman (Probably Pavlo Polubotok)

Ivan Nikitin, 1720

oilBaroqueportraitportraitfiguremanclothinghistoricalface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in depicting fabric textures and details.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the head and shoulders.

  2. step 02

    Establish the background with a dark, muted tone.

  3. step 03

    Block in the main areas of color for the face, clothing, and hair.

  4. step 04

    Begin refining the facial features, paying close attention to the light and shadow.

  5. step 05

    Develop the details of the clothing, including the folds, textures, and embellishments.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Refine the background and edges to create a sense of atmosphere.

  8. step 08

    Add final details and adjustments to complete the painting.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · cadmium yellow · alizarin crimson · ultramarine blue

Mix skin tones using white, burnt sienna, and a touch of alizarin crimson. Create the gold tones by mixing cadmium yellow with burnt sienna and raw umber. Darken colors with ivory black and raw umber.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·blending

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details too early in the process.
  • →Using colors that are too bright or saturated.
  • →Failing to create a sense of depth and dimension.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·painting easel

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paint.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne