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A lady writing by Johannes Vermeer

plate no. 5059

A lady writing

Johannes Vermeer, 1666

oil, canvasBaroquegenre paintingfiguretableinteriorwritingdressfurniture
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly rendering skin tones and fabric, as well as understanding the use of light and shadow to create depth and form. It also provides practice in depicting realistic textures and details.

technical profile

palette complexity
4
brushwork visibility
2
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and proportions of the figure, table, and background.

  2. step 02

    Block in the main areas of color, focusing on the overall value structure.

  3. step 03

    Develop the background, starting with the darkest areas and gradually adding lighter tones.

  4. step 04

    Refine the figure's skin tones, paying close attention to the subtle shifts in value and color.

  5. step 05

    Paint the dress, capturing the folds and highlights with careful brushstrokes.

  6. step 06

    Add details to the table and objects, such as the writing materials and the fabric.

  7. step 07

    Pay attention to the details of the face, especially the eyes and mouth.

  8. step 08

    Make final adjustments to the values and colors to create a sense of depth and realism.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · ivory black · raw sienna

Mix various shades of yellow ochre and white for the dress. Use ultramarine blue and burnt umber to create the dark tones in the background and table. Mix white with small amounts of yellow ochre, burnt umber, and ultramarine to achieve the skin tones.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·fabric rendering

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Failing to capture the subtle shifts in value and color.
  • →Overworking the details and losing the overall sense of harmony.
  • →Not paying enough attention to the light and shadow.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (yellow ochre, ultramarine blue, burnt umber, titanium white, ivory black, raw sienna)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Assorted brushes (round and flat)
  • ·Palette
  • ·Palette knife
  • ·Rags

optional

  • ·Retouch varnish
  • ·Medium gloss

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →paint like vermeer →how to learn by studying the masters →
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