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home·artworks·A Lady Playing the Clavichord
A Lady Playing the Clavichord by Gerrit Dou

plate no. 2660

A Lady Playing the Clavichord

Gerrit Dou, 1665

oil, panelBaroquegenre paintingfigureinteriormusical instrumentwindowtabledrapery
experienced study

Recreating this painting will help students develop skills in rendering realistic light and shadow, as well as creating depth and atmosphere using subtle color variations. It also provides practice in painting complex textures such as fabric and wood.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and proportions of the main elements.

  2. step 02

    Block in the main areas of color, focusing on the overall value structure.

  3. step 03

    Establish the light source and begin to build up the shadows and highlights.

  4. step 04

    Refine the details of the figure, musical instrument, and other objects.

  5. step 05

    Pay close attention to the textures of the fabric, wood, and other materials.

  6. step 06

    Add subtle color variations to create depth and atmosphere.

  7. step 07

    Glaze thin layers of color to unify the painting and enhance the luminosity.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · burnt sienna · ultramarine blue · cadmium red light

Mix various shades of gray and brown by combining ivory black, raw umber, and titanium white. Use yellow ochre and burnt sienna to create warm tones for the wood and fabric. Add small amounts of ultramarine blue to create cool shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·underpainting
  • ·rendering textures

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the subtle color variations in the shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (ivory black, raw umber, titanium white, yellow ochre, burnt sienna, ultramarine blue, cadmium red light)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·dammar varnish
  • ·retouch varnish
  • ·medium gel

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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