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home·artworks·A Gold Weigher
A Gold Weigher by Salomon Koninck

plate no. 8130

A Gold Weigher

Salomon Koninck

wood, oil, panelBaroqueportraitfigureportraittableinteriorbooksbeard
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing the likeness and character of a subject. It also provides practice in rendering textures and creating a sense of depth through value and color.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and proportions of the figure and objects.

  2. step 02

    Block in the main shapes and areas of color using thin washes of paint.

  3. step 03

    Focus on establishing the dark and light values to create a sense of depth and form.

  4. step 04

    Gradually build up the layers of paint, adding more detail and refining the shapes.

  5. step 05

    Pay close attention to the lighting and how it affects the colors and textures.

  6. step 06

    Work on the details of the face and hands, capturing the likeness and expression of the subject.

  7. step 07

    Add highlights and shadows to create a sense of volume and dimension.

  8. step 08

    Finish with any final adjustments and details.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · yellow ochre · cadmium red

Achieve the warm browns by mixing burnt umber with raw sienna and a touch of red. Use white to lighten the colors and create highlights. Black can be used sparingly to darken shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·value studies

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Not paying enough attention to the lighting and shadows.
  • →Using too much black and making the painting look muddy.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (burnt umber, raw sienna, ivory black, titanium white, yellow ochre, cadmium red)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Allow each layer of paint to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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