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A girl with her doll by Émile Auguste Hublin

plate no. 3439

A girl with her doll

Émile Auguste Hublin, 1869

oil, canvasRealismportraitportraitgirldollclothingfigurebackground
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and creating realistic skin tones. It also provides practice in rendering fabric and subtle gradations of light and shadow.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the main shapes and proportions of the girl, doll, and background.

  2. step 02

    Block in the large areas of color, focusing on the overall values and tones.

  3. step 03

    Begin refining the skin tones, using subtle color variations to create depth and form.

  4. step 04

    Add details to the clothing, paying attention to the folds and textures.

  5. step 05

    Paint the doll, focusing on its unique features and details.

  6. step 06

    Refine the background, creating a soft and blurred effect.

  7. step 07

    Add highlights and shadows to create a sense of depth and dimension.

  8. step 08

    Make final adjustments to the colors and values to achieve a harmonious composition.

color palette

primary · titanium white · raw umber · burnt sienna · cadmium red light

secondary · ultramarine blue · yellow ochre · alizarin crimson

Mix skin tones using white, raw umber, burnt sienna, and a touch of cadmium red light. Use ultramarine blue and raw umber for the darker areas of the clothing. Mix alizarin crimson and white for the pinks in the shawl.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Incorrect proportions of the figure.
  • →Overblending the skin tones, resulting in a flat appearance.
  • →Neglecting the subtle color variations in the clothing.
  • →Failing to create a sense of depth and dimension.
  • →Getting the likeness wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·#2 round brush
  • ·#6 flat brush
  • ·#4 filbert brush
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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