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home·artworks·A garland of flowers with the Holy Family and the Infant John in a sculpted cartouche
A garland of flowers with the Holy Family and the Infant John in a sculpted cartouche by Erasmus Quellinus the Younger

plate no. 0272

A garland of flowers with the Holy Family and the Infant John in a sculpted cartouche

Erasmus Quellinus the Younger

oil, copperBaroquereligious paintingflowersgarlandreligious figuressculpturestill lifecartouche
experienced study

This painting offers a chance to practice rendering realistic flowers and foliage, as well as creating subtle value gradations to depict the sculpted figures. Students will also develop skills in composition and creating depth using atmospheric perspective.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Prepare the canvas with a dark, neutral ground.

  2. step 02

    Lightly sketch the overall composition, including the cartouche, figures, and placement of the floral garland.

  3. step 03

    Block in the basic shapes and colors of the flowers and leaves, focusing on accurate color mixing.

  4. step 04

    Begin refining the details of the flowers, adding highlights and shadows to create form.

  5. step 05

    Paint the sculpted cartouche and figures, paying close attention to value and subtle shifts in tone.

  6. step 06

    Add the finer details of the foliage, such as veins and textures.

  7. step 07

    Glaze the painting to unify the colors and enhance the depth.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ivory black · titanium white · cadmium red · yellow ochre

secondary · ultramarine blue · alizarin crimson · sap green

Achieve the muted tones by mixing complementary colors and adding black or white. Use glazes of transparent colors to create depth and richness.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·chiaroscuro
  • ·color mixing

common pitfalls

  • →overworking the details too early
  • →not establishing a strong value structure
  • →using colors that are too bright or saturated
  • →losing the overall composition

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the initial stages of painting.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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