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home·artworks·A Garland of Flowers Around a Sstone Cartouche Depicting the Virgin and Child and Saint John,
A Garland of Flowers Around a Sstone Cartouche Depicting the Virgin and Child and Saint John, by Jan van Kessel the Elder

plate no. 4422

A Garland of Flowers Around a Sstone Cartouche Depicting the Virgin and Child and Saint John,

Jan van Kessel the Elder, 1660

oilBaroquereligious paintingflowersgarlandreligious figurecartoucheleavesinsects
experienced study

Recreating this painting will help students develop skills in rendering realistic floral details, understanding color relationships in a complex composition, and creating depth through layering and glazing.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the cartouche, flowers, and leaves, paying attention to the overall composition.

  2. step 02

    Establish the dark background using a mix of browns and blacks.

  3. step 03

    Block in the main colors of the flowers and leaves, focusing on the general color temperature and value.

  4. step 04

    Begin layering details on the flowers, adding highlights and shadows to create form.

  5. step 05

    Refine the details of the leaves, paying attention to the veins and edges.

  6. step 06

    Paint the cartouche with the religious figures, using a limited palette of earth tones.

  7. step 07

    Add small details like insects and highlights to enhance realism.

  8. step 08

    Glaze the painting to unify the colors and create depth.

color palette

primary · crimson red · titanium white · yellow ochre · sap green

secondary · ultramarine blue · burnt umber · cadmium yellow

Achieve the muted tones by mixing complementary colors and using glazes to create depth and subtle color variations.

techniques

  • ·glazing
  • ·layering
  • ·scumbling
  • ·dry brushing
  • ·color mixing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too bright or saturated.
  • →Losing the overall composition by focusing too much on individual elements.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to establish the dark background.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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