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home·artworks·A Game of Preference
A Game of Preference by Viktor Vasnetsov

plate no. 5172

A Game of Preference

Viktor Vasnetsov, 1879

oil, canvasRealismgenre paintingfiguresinteriortablecandlelightroomclock
some experience helpful

Recreating this painting will help students develop skills in rendering figures in a dimly lit environment and understanding how light and shadow define form. Students will also practice creating a sense of depth and atmosphere through color and value.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and placement of figures and objects.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Establish the light source (candle) and map out the areas of light and shadow.

  4. step 04

    Develop the figures, paying attention to anatomical proportions and facial expressions.

  5. step 05

    Add details to the background, including the wallpaper, clock, and other objects.

  6. step 06

    Refine the values and colors, gradually building up the layers of paint.

  7. step 07

    Add highlights and shadows to create a sense of depth and dimension.

  8. step 08

    Make final adjustments to the composition and details.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · yellow ochre · cadmium red light · ultramarine blue

Achieve the warm, muted tones by mixing burnt umber and raw sienna with small amounts of black and white. Use yellow ochre and cadmium red light sparingly for highlights and warmth. Add ultramarine blue to darken shadows and create cool tones.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·dry brushing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the effects of light and shadow on the forms.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·retouch varnish

Use a medium-grain canvas for best results. Consider using a toned ground to simplify the underpainting process.

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