
plate no. 0739
Émile Auguste Hublin, 1879
Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering of skin tones, as well as practice blending techniques to create soft transitions and realistic textures.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the proportions of the figure and the placement of the goat and flowers.
Establish the background with a dark, muted tone, gradually adding subtle variations in color and value.
Block in the main shapes of the figure, paying attention to the folds and drapery of the clothing.
Begin layering the skin tones, starting with a base color and gradually building up highlights and shadows.
Refine the details of the face, focusing on the eyes, nose, and mouth to capture the likeness of the subject.
Paint the goat, using short, broken brushstrokes to create the texture of the fur.
Add the flowers and hay, paying attention to the colors and shapes of the individual elements.
Make final adjustments to the overall composition, ensuring that the values and colors are balanced.
color palette
primary · ultramarine blue · burnt umber · titanium white · cadmium red
secondary · yellow ochre · raw sienna · ivory black
Achieve skin tones by mixing white, red, yellow ochre, and a touch of blue or umber. Create depth in the clothing by layering different shades of blue and brown.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium-grain canvas will provide a good surface for layering.
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