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home·artworks·A Franciscan friar accepting a coin in his collecting tin from a woman
A Franciscan friar accepting a coin in his collecting tin from a woman by Guerrino Guardabassi

plate no. 8951

A Franciscan friar accepting a coin in his collecting tin from a woman

Guerrino Guardabassi

watercolorRealismgenre paintingfiguresarchitecturestreet scenebasketfoliage
some experience helpful

Recreating this painting will help students develop skills in figure drawing, rendering fabric textures, and creating a sense of depth using atmospheric perspective. It also provides practice in capturing realistic lighting and shadow.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and architectural elements, paying attention to proportions and perspective.

  2. step 02

    Establish the basic color washes for the background, including the sky and distant landscape.

  3. step 03

    Begin layering colors on the figures, starting with the lightest tones and gradually building up the darker shadows.

  4. step 04

    Focus on rendering the details of the clothing, such as the folds and textures of the fabric.

  5. step 05

    Add details to the faces, paying attention to the expressions and features of the figures.

  6. step 06

    Paint the architectural details, including the building, steps, and lantern.

  7. step 07

    Add the foliage and other small details to create a sense of realism.

  8. step 08

    Refine the values and colors, making sure to create a harmonious and balanced composition.

color palette

primary · raw umber · ultramarine blue · burnt sienna

secondary · cadmium red light · sap green · yellow ochre

Mix browns from burnt sienna and ultramarine. Use diluted washes for the sky and background. Create skin tones by mixing red, yellow, and brown.

techniques

  • ·watercolor washes
  • ·dry brushing
  • ·glazing
  • ·figure drawing
  • ·atmospheric perspective

common pitfalls

  • →overworking the details
  • →muddying the colors
  • →incorrect proportions of figures
  • →lack of value contrast

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor brushes (round and flat)
  • ·watercolor paper 140lb
  • ·palette
  • ·water container
  • ·pencil
  • ·eraser

optional

  • ·masking fluid
  • ·ruler
  • ·kneaded eraser

Use high-quality watercolor paper to prevent buckling. Experiment with different brush sizes to achieve various effects.

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related guides

watercolor techniques →how to learn by studying the masters →
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