apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·A Forest Floor Still Life
A Forest Floor Still Life by Otto Marseus van Schrieck

plate no. 4467

A Forest Floor Still Life

Otto Marseus van Schrieck, 1666

oilBaroqueflower paintingplantsinsectssnakebirdmushroomsfoliage
experienced study

Recreating this painting will develop skills in rendering textures of various natural elements and understanding atmospheric perspective through subtle value shifts. Students will also learn to create a sense of depth using overlapping shapes and varying levels of detail.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the main elements (thistle, snake, bird).

  2. step 02

    Establish the background with a dark, muted green, gradually lightening towards the horizon.

  3. step 03

    Block in the main shapes of the thistle leaves, paying attention to their jagged edges.

  4. step 04

    Add the snake, using a base color of yellow ochre and adding darker spots and shadows.

  5. step 05

    Paint the bird, focusing on its form and the subtle variations in its plumage.

  6. step 06

    Add the smaller details like the insects, mushrooms, and other plants.

  7. step 07

    Refine the values and details, paying attention to the light and shadow.

  8. step 08

    Add final highlights and details to create a sense of realism.

color palette

primary · dark green · yellow ochre · burnt umber

secondary · ultramarine blue · cadmium yellow · titanium white

Achieve the dark greens by mixing ultramarine blue and cadmium yellow with burnt umber. Use titanium white to lighten the greens and create highlights. Mix yellow ochre with burnt umber and touches of cadmium yellow for the snake's skin.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·layering
  • ·blending

common pitfalls

  • →Getting lost in the details too early.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the importance of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (dark green, yellow ochre, burnt umber, ultramarine blue, cadmium yellow, titanium white)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·damar varnish
  • ·retouch varnish
  • ·medium

Use high-quality oil paints for best results. Consider using a toned canvas to create a more unified color scheme.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne