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home·artworks·A Flagelação de Cristo
A Flagelação de Cristo by Mestre Ataíde

plate no. 0156

A Flagelação de Cristo

Mestre Ataíde

oilBaroquereligious paintingfiguresarchitecturereligious sceneskylandscape
some experience helpful

Recreating this painting will help students develop skills in figure drawing, color mixing for skin tones, and creating a sense of depth through atmospheric perspective. It also provides practice in depicting drapery and simple architectural elements.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and architectural elements, focusing on proportions and placement.

  2. step 02

    Block in the main color areas for the background, figures, and clothing using thin washes.

  3. step 03

    Begin layering colors to build up the skin tones, paying attention to highlights and shadows.

  4. step 04

    Develop the drapery folds and details in the clothing, using darker values to define the forms.

  5. step 05

    Add details to the faces, including eyes, nose, and mouth, using small brushes.

  6. step 06

    Refine the architectural elements, adding details to the columns and arches.

  7. step 07

    Adjust the overall values and colors to create a sense of harmony and balance.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · yellow ochre · burnt umber · ultramarine blue

secondary · titanium white · cadmium red · raw sienna

Mix skin tones using yellow ochre, burnt umber, and titanium white, adding small amounts of cadmium red for warmth. Create variations in blue by mixing ultramarine with white or a touch of burnt umber for shadows.

techniques

  • ·layering
  • ·blending
  • ·scumbling
  • ·glazing
  • ·chiaroscuro

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Getting the proportions of the figures wrong.
  • →Failing to create a sense of depth in the background.
  • →Overworking the details, resulting in a stiff or unnatural look.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 8, 10)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits (for cleaning brushes)

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Acrylic paints are recommended for beginners due to their faster drying time and ease of cleanup.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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