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home·artworks·A Fishmonger at the Door
A Fishmonger at the Door by Jacob Ochtervelt

plate no. 2365

A Fishmonger at the Door

Jacob Ochtervelt, 1663

canvas, oilBaroquegenre paintingfiguresinteriorarchitecturedogfishdoorway
some experience helpful

Recreating this painting will help students develop skills in rendering realistic figures, capturing light and shadow, and creating a sense of depth through perspective and atmospheric perspective. It also provides practice in depicting different textures, such as fabric, fur, and stone.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main figures and architectural elements, paying attention to proportions and perspective.

  2. step 02

    Establish the background scene visible through the doorway, focusing on the building and sky.

  3. step 03

    Block in the main colors for the figures, starting with the darkest values and gradually adding lighter tones.

  4. step 04

    Develop the details of the fishmonger's clothing and basket of fish, using small brushstrokes to create texture.

  5. step 05

    Paint the woman and child, paying close attention to the folds and highlights in their clothing.

  6. step 06

    Render the dog, focusing on its fur and expression.

  7. step 07

    Add details to the interior, including the tiled floor and the wall textures.

  8. step 08

    Refine the lighting and shadows throughout the painting to create a sense of depth and realism.

color palette

primary · burnt umber · titanium white · cadmium red · yellow ochre

secondary · ultramarine blue · ivory black · raw sienna · gold

Achieve the flesh tones by mixing white, red, and yellow ochre. Create the golden fabric by layering yellow ochre and raw sienna with touches of white for highlights.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·linear perspective
  • ·atmospheric perspective

common pitfalls

  • →Incorrect proportions of the figures.
  • →Inaccurate perspective of the architectural elements.
  • →Overblending, resulting in a lack of texture.
  • →Neglecting the subtle variations in color and value.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·drying retarder
  • ·easel

Use high-quality oil paints for best results. A medium-sized canvas (e.g., 18x24 inches) is recommended for beginners.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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