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home·artworks·A family gathering
A family gathering by Wenzel Tornøe

plate no. 1142

A family gathering

Wenzel Tornøe, 1898

oil, canvasRealismgenre paintingfamilyfiguresinteriortableclothingchildren
experienced study

Recreating this painting will help students develop skills in portraiture, rendering realistic skin tones, and creating a sense of depth through subtle value changes. It also provides practice in capturing the nuances of light and shadow in an interior setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures.

  2. step 02

    Establish the overall value structure by blocking in the main areas of light and shadow with thin washes.

  3. step 03

    Begin refining the skin tones, starting with mid-tones and gradually building up highlights and shadows.

  4. step 04

    Pay close attention to the subtle color variations in the faces and clothing.

  5. step 05

    Develop the details of the background, ensuring it remains secondary to the figures.

  6. step 06

    Add details to the clothing, hair, and facial features, using smaller brushes.

  7. step 07

    Refine the edges and blend the transitions between values to create a sense of realism.

  8. step 08

    Add final highlights and shadows to enhance the depth and dimension of the painting.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red light · ultramarine blue · yellow ochre

Achieve skin tones by mixing burnt umber, raw sienna, and titanium white, with small amounts of cadmium red for warmth and ultramarine blue for shadows. Use ivory black to darken values and create shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·underpainting

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the subtle color variations in the skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (burnt umber, raw sienna, ivory black, titanium white, cadmium red light, ultramarine blue, yellow ochre)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted round and flat brushes (#2, #4, #6, #8)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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