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home·artworks·A courtier in Venice
A courtier in Venice by Odoardo Borrani

plate no. 1809

A courtier in Venice

Odoardo Borrani, 1865

oil, canvasRealismgenre paintingfigurearchitecturebuildingcityscapebridgestairs
some experience helpful

Recreating this painting will help students develop skills in rendering realistic figures and architectural details, as well as understanding atmospheric perspective and subtle color variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure and the architectural elements.

  2. step 02

    Establish the main light and shadow areas with a thin wash of burnt umber.

  3. step 03

    Block in the local colors of the figure's clothing and the buildings.

  4. step 04

    Refine the figure's features and clothing details, paying attention to the folds and textures.

  5. step 05

    Develop the architectural details, focusing on the perspective and the play of light and shadow.

  6. step 06

    Add atmospheric perspective to the background buildings by using lighter and cooler colors.

  7. step 07

    Glaze over the painting to unify the colors and create depth.

  8. step 08

    Add final highlights and details to the figure and the architecture.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · ultramarine blue · yellow ochre · cadmium red light

Mix various shades of brown and gray by combining burnt umber, raw sienna, ivory black, and titanium white. Use ultramarine blue to cool down the colors in the background and create atmospheric perspective.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Ignoring the effects of atmospheric perspective.
  • →Using colors that are too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine

Use high-quality oil paints for best results. Consider using a pre-toned canvas to save time.

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oil painting for beginners →how to learn by studying the masters →
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