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home·artworks·A Canal Scene, Venice
A Canal Scene, Venice by Rubens Santoro

plate no. 0160

A Canal Scene, Venice

Rubens Santoro, 1900

oilRealismcityscapecanalbuildingswaterboatsskytower
some experience helpful

Recreating this painting will help students develop skills in perspective, particularly linear perspective for the buildings and canal, and color mixing to achieve the subtle variations in the water and sky. It also provides practice in rendering architectural details and reflections.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the perspective lines of the buildings and canal.

  2. step 02

    Block in the large shapes of the buildings, water, and sky with thin washes of color.

  3. step 03

    Establish the main value ranges, paying attention to the light and shadow on the buildings.

  4. step 04

    Begin adding details to the buildings, such as windows, shutters, and architectural features.

  5. step 05

    Develop the water, using horizontal brushstrokes to suggest the movement of the water and reflections.

  6. step 06

    Paint the boats and figures, paying attention to their placement and scale within the scene.

  7. step 07

    Refine the details and add highlights to create a sense of depth and realism.

  8. step 08

    Add final touches and glazes to unify the painting and enhance the colors.

color palette

primary · titanium white · burnt sienna · ultramarine blue

secondary · yellow ochre · cadmium red · viridian green

Mix various shades of white with small amounts of burnt sienna and ultramarine blue to achieve the subtle variations in the buildings. Use ultramarine blue and white for the sky, and add a touch of yellow ochre for warmth. Mix burnt sienna, cadmium red, and ultramarine blue to create the darker tones in the water.

techniques

  • ·linear perspective
  • ·color mixing
  • ·glazing
  • ·rendering reflections
  • ·dry brushing

common pitfalls

  • →Incorrect perspective
  • →Overly saturated colors
  • →Lack of value contrast
  • →Ignoring reflections
  • →Getting lost in details too early

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Titanium white oil paint
  • ·Burnt sienna oil paint
  • ·Ultramarine blue oil paint
  • ·Yellow ochre oil paint
  • ·Cadmium red oil paint
  • ·Viridian green oil paint
  • ·Assorted brushes (round and flat)

optional

  • ·Palette knife
  • ·Linseed oil
  • ·Turpentine
  • ·Medium gloss

Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve flow.

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oil painting for beginners →how to learn by studying the masters →
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