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home·artworks·A Canal in Winter
A Canal in Winter by Isaac van Ostade

plate no. 5229

A Canal in Winter

Isaac van Ostade, 1645

oil, canvasBaroquegenre paintingfigureswinterlandscapebuildingstreesice
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex scenes with many figures. It also provides practice in creating convincing textures for natural elements like trees and buildings.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings, trees, and horizon line.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or raw sienna.

  3. step 03

    Block in the sky with light blues and grays, blending softly to create a sense of atmosphere.

  4. step 04

    Add the distant figures and details on the ice, using lighter values and less detail to create depth.

  5. step 05

    Begin building up the darker values in the foreground, focusing on the buildings, trees, and figures.

  6. step 06

    Add details to the figures and objects in the foreground, paying attention to their shapes and proportions.

  7. step 07

    Refine the details and add highlights to create a sense of light and shadow.

  8. step 08

    Glaze with thin layers of color to unify the painting and add depth.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · ultramarine blue · yellow ochre · ivory black

Achieve the muted tones by mixing the primary colors with white and small amounts of blue or black. Use thin glazes of color to create depth and atmosphere.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·value studies

common pitfalls

  • →Overworking the details in the background
  • →Creating too much contrast in the distance
  • →Ignoring the importance of atmospheric perspective
  • →Using colors that are too saturated

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas to allow for good texture. Consider using a toned canvas to help establish the overall value structure.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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