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home·artworks·A British raid on the German lines through clouds of poison gas (1st July 1916)
A British raid on the German lines through clouds of poison gas (1st July 1916) by Fortunino Matania

plate no. 9399

A British raid on the German lines through clouds of poison gas (1st July 1916)

Fortunino Matania, 1916

pencil, pen, ink, wash, boardRealismillustrationsoldiersgas maskssmokebarbed wireweaponswar
experienced study

Recreating this painting will help students develop skills in rendering complex scenes with multiple figures and atmospheric effects, as well as understanding value relationships to create depth and form.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main figures and compositional elements.

  2. step 02

    Establish the darkest and lightest values to create a foundation for the tonal range.

  3. step 03

    Block in the mid-tones, focusing on the overall shapes and forms of the figures and objects.

  4. step 04

    Develop the atmospheric perspective by layering lighter values in the background to create depth.

  5. step 05

    Add details to the figures, including the gas masks, weapons, and uniforms.

  6. step 06

    Render the smoke and barbed wire, paying attention to their intricate shapes and textures.

  7. step 07

    Refine the values and details throughout the painting, ensuring a cohesive and balanced composition.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · ivory black · payne's gray · titanium white

secondary · raw umber · burnt umber

Mix various shades of gray by combining ivory black and titanium white. Use raw and burnt umber to add subtle warmth to certain areas.

techniques

  • ·value study
  • ·atmospheric perspective
  • ·dry brushing
  • ·scumbling
  • ·rendering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Ignoring the atmospheric perspective, resulting in a flat composition.
  • →Getting lost in the complexity of the scene and losing sight of the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·payne's gray oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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