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home·artworks·A Breton infants school
A Breton infants school by Jules Trayer

plate no. 8804

A Breton infants school

Jules Trayer, 1882

watercolor, pencil, paperRealismgenre paintingclassroomchildrenfiguresinteriorschoolteacher
some experience helpful

Recreating this painting will help students develop skills in depicting figures in a complex scene and rendering realistic lighting and textures with watercolor. It also provides practice in creating depth and perspective in an interior setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the overall composition, paying attention to the placement of figures and major objects.

  2. step 02

    Establish the basic values with a diluted wash of a neutral color like raw umber or burnt sienna.

  3. step 03

    Begin layering colors, starting with the lightest tones and gradually building up to the darker areas.

  4. step 04

    Focus on rendering the skin tones of the children, using subtle variations of pinks, yellows, and browns.

  5. step 05

    Paint the clothing and other details, paying attention to the folds and shadows.

  6. step 06

    Add details to the background, such as the windows, walls, and furniture.

  7. step 07

    Refine the details and add highlights to create a sense of depth and realism.

  8. step 08

    Make final adjustments to the values and colors to achieve a harmonious and balanced composition.

color palette

primary · raw umber · burnt sienna · Prussian blue

secondary · yellow ochre · ivory black · titanium white

Mix raw umber and Prussian blue for the dark clothing. Use yellow ochre and burnt sienna to create the warm tones of the walls and floors. Add titanium white to lighten colors and create highlights.

techniques

  • ·watercolor washes
  • ·dry brushing
  • ·glazing
  • ·layering
  • ·figure drawing

common pitfalls

  • →Overworking the watercolor and losing the transparency.
  • →Creating muddy colors by mixing too many pigments.
  • →Failing to establish a strong value structure.
  • →Ignoring the importance of edges and details.
  • →Inaccurate proportions of figures

materials

surface · watercolor paper 140lb

required

  • ·Watercolor paints (raw umber, burnt sienna, Prussian blue, yellow ochre, ivory black, titanium white)
  • ·Watercolor brushes (round and flat, various sizes)
  • ·Watercolor paper (140lb cold press)
  • ·Palette
  • ·Water container
  • ·Pencil (HB or 2B)
  • ·Eraser
  • ·Masking fluid

optional

  • ·palette knife
  • ·ruler
  • ·kneaded eraser
  • ·watercolor pencils

Use high-quality watercolor paints for best results. Experiment with different brush sizes and shapes to achieve various effects.

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related guides

watercolor techniques →how to draw →how to learn by studying the masters →
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