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home·artworks·A Boy Feeding his Younger Sister
A Boy Feeding his Younger Sister by Helene Schjerfbeck

plate no. 9211

A Boy Feeding his Younger Sister

Helene Schjerfbeck, 1881

oilRealismgenre paintingchildrenfiguresinteriorbowlsiblingsclothing
some experience helpful

Recreating this painting will help students develop skills in rendering figures in a muted palette and capturing subtle light and shadow to create depth and form. It also offers practice in depicting textures of clothing and wooden objects.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures and the bowl.

  2. step 02

    Establish the background with dark, muted tones, gradually building up the values.

  3. step 03

    Block in the main shapes of the figures with mid-tones, paying attention to the light source and shadows.

  4. step 04

    Begin refining the details of the faces, focusing on capturing the expressions of the children.

  5. step 05

    Add details to the clothing, using short, broken brushstrokes to create texture.

  6. step 06

    Paint the bowl and the spoon, paying attention to the highlights and shadows that define their form.

  7. step 07

    Add final touches and highlights to enhance the overall realism and depth of the painting.

  8. step 08

    Glaze with thin layers to unify the colors and add depth.

color palette

primary · raw umber · burnt sienna · ivory black · titanium white

secondary · yellow ochre · sap green · cadmium red light

Achieve the muted tones by mixing the primary colors with white and small amounts of secondary colors. Use raw umber and ivory black for the dark areas, and burnt sienna and yellow ochre for the warmer tones.

techniques

  • ·chiaroscuro
  • ·dry brushing
  • ·glazing
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too bright or saturated.
  • →Ignoring the subtle nuances of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·retouch varnish

Use a medium-grain canvas for best results. Consider using a toned canvas to establish the base color.

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oil painting for beginners →how to learn by studying the masters →
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